Nearly Finished! Reviewing 32 Page Illustrations for The Rabbit in the Moon

We’re entering an exciting phase of the creative process, Rod and I are almost finished outlining all of the illustrations for The Rabbit in the Moon, and it looks like the book will include 32 pages of artwork. For a children’s picture book, that’s incredible!

This is the first time both of us have gone through the full process of creating a picture book from scratch. While there’s been a learning curve, especially around communication, when to talk, what to discuss, how to frame feedback, it’s also completely normal. Every new creative partnership takes time to find its rhythm.

Our Visions Are Combining Into Something Bigger

When I wrote the story, I had a clear idea in my head of what each scene might look like. I pictured the characters, the moonlit settings, the nighttime creatures, and the emotional tone of each moment.

But receiving Rod’s illustration outlines has been absolutely mind-blowing.

Seeing the story through his imagination, how he interprets the scenes, the angles he chooses, the way he positions the characters, has reshaped the book in ways I never expected. His creativity brings depth to moments I thought were simple, and comparing his vision to mine has sparked some of the most exciting and collaborative discussions we’ve had so far.

Watch me discuss on Youtube

Some of the illustrated scenes weren’t in my mind at all… and now I can’t imagine the story without them.

That’s the magic of creating a children’s picture book: the text guides the story, but the illustrations make it unforgettable.

Still Working on Yabbit the Rabbit’s Final Design

The supporting cast, Snail, Bat, She-wolf, and Owl, are almost finalized, and they look incredible. But the character giving us the most challenge is… Yabbit the Rabbit himself.

Designing a main character who stands out among countless famous rabbits in children’s books and pop culture is no small task. We’re still refining:

  • the physical characteristics that make him unique

  • the body shape and artistic style

  • the balance between realism and charm

  • his emotional expressiveness

We’re determined to make Yabbit the Rabbit instantly recognizable, lovable, and iconic.

And we’ll get there, it just takes patience, creativity, and a willingness to revise until it feels absolutely perfect.

Related Posts

Designing a Unique Yabbit the Rabbit
Merging Fan-Favorite Yabbit Sketches
How We Review Illustration Drafts
Planning the Illustration Layout for Picture Books
Redesigning Yabbit the Rabbit From Scratch

KD Schnee

KD Schnee is a children’s author from Pittsburgh, PA. He was raised in Bull Valley, IL on a former Christmas-tree farm. He spent his childhood roaming the woods and listening to nightly read-alouds from his dad, and early favorites like A Cricket in Times Square helped plant the seeds for storytelling.

His debut picture book, The Rabbit in the Moon, introduces Yabbit the Rabbit, a character first imagined by KD’s mother and inspired by his own childhood tendencies to hesitate or avoid. Today, KD writes hopeful stories that help kids (and the child in all of us) face fear, feel brave, and grow.

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Bringing The Rabbit in the Moon to Life Through Color: Early Illustration Tests

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Creating Yabbit the Rabbit: Merging Fan-Favorite Character Designs